I am currently suffering from culture shock at Christmas in Hong Kong. The first thing was the rather strange decor that goes along with Christmas over here. Christmas decoration ideas appear to have arrived here from cartoon America via those twisted warped minds who design stuff like this in Japan. Here is a photo from a friend of mine that kind of sums up what I am getting at (many thanks to Lisa for snapping this)
I mean what the hell. Has a 1950s demonic, Elvis impersonating Santa decided to build himself a little fort out of poinsettias and strike a Kung Fu pose. Also why is he wearing a sleeveless top, who the hell does he think he is Chuck Norris.
However there are some plus sides to Christmas in HK. Everything is open pretty much as normal on Christmas Day so if you had forgotten to buy something at the supermarket you could nip down and get it, if this were England you would be buggered. Also the weather is brilliant, I was sat outside at 9pm on Christmas day in Civic square at Elements shopping mall wearing a t-shirt, drinking a pint of Guinness whilst listening to my fiance and her choir sing Christmas carols. Surreal but utterly enjoyable.
I also had my company's Christmas dinner out at Po Toi O, near Clear water Bay in a small fishing village with an absolutely cracking seafood restaurant in it.
Here is the office team. Clockwise from bottom left they are Brick (I know please don't ask), Vanessa, Minnie, Chris, Me (also Chris), Bowie, Kanas, Carol, Carmen and Ricky (our factory manager)
And here is the factory crew. I know how to pronounce this lots names but writing it out is a different matter as most of them don't have an English name.
Menu was as follows:
Seafood Soup with Corbicula, Bean Curd and Fish
Vegetable fried Razor Clams
Cuttlefish Sashimi and Deep fried Cuttlefish
Egg White Steamed Crab with Shaoxing Wine
Salted Shrimp
Boiled Spiral Shells with Spicy Wine
Whole Steamed Grouper
Deep fried Shrimp Ball
Sea Urchin fried Rice
Fried Noodles
All the food was excellent and a good time was had by all. I was glad that is all went well as this was my first meal with them all since the old manager (another Chris) had left. I felt it was a real bonding experience and I hope that this helps promote a good working relationship between everybody for the future.
A note on our transport to Po Toi O, we had a bus that the restaurant uses for large parties come and pick us up. If you have ever been out to this part of the New Territories you will know that the terrain is not what you would call flat and the roads are not straight but rather twisty. Despite this and the fact that we were driving along a cliff edge at the coast for long periods the bus driver maintained a steady 70mph, speeding up occasionally to overtake cars and trucks in his way. This was fine and quite fun on the way there, but on the way back with 5 beers and a large amount of seafood in my belly it was not so pleasant. To give you an idea of the speed we got from Tsuen Wan to Po Toi O in around 25mins, it is direct about 30km on the map.
A double dose of my music selection for you today, because... well just because I can. First up I am going to show my misspent youth by posting a classic Sublime song up. This brings back some very good memories from my days in a Ska/Punk band. We had one song where we used to switch instruments and this was the song I got to play the guitar on. There is a recording of this event floating around out there somewhere from a gig back when I would have been 16, I have no idea who has it now all I remember was that it was on a mini disc (they didn't last long did they)
I will follow this up with a song that I remember fondly as inspiring me to want to be a Bass player (along with Won't Get Fooled Again by the Who) and also started me listening to some more challenging and interesting Music in general. I therefore give you Schism by Tool. For all you music buffs out there the main verse is in alternating bars of 5/8 and 7/8 instead of straight 12/8 to give this disjointed feeling (a Schism in the music), shifting into 13/8 for the bridge and a straight 12/8 for the chorus (joining up the Schism in the beat).
The end sequence of the song shifts into 8/4 then 9/8 and 7/4 (once again Schism in the beats) before the end riff which is in 12/8 to join the whole thing up again before closing in 4/4. Horrendously difficult to count but not something you can play just by feel as the timing of each note is crucial to this idea of having deliberate splits in the beat.